Test 1a

Table of Contents:

The sound technique: The recording 

1. The RECORDING TECHNOLOGY in sound engineering,

1a. What is the level in sound engineering,
1b. What is the relative and absolute voltage level in sound engineering?
1c. What is a standard radio standard in sound engineering,
1d. What other levels are available in sound engineering,
1e. Computing with levels in sound engineering,
1f. The amplification and attenuation in the level measurement in sound engineering,
1g. What are superimpositions of tension in sound engineering,
1h. What are the level diagrams in sound engineering,


1i. What is the CONTROL in audio engineering,
1j. The characteristics of the level indicator in sound engineering,
1k. What is a modulation in digital audio signal processing in audio engineering,
1l. What is a modulation in the broadcast in the audio engineering,
1m. The guidelines for modulation in audio broadcasting (in audio engineering),
1n. The guidelines for modulation in television broadcasting (in audio engineering),
1o. The problems of compatibility with announcements (in sound engineering),
1p. The modulation in production (in sound engineering),
1q. What is the dynamics (in sound engineering),
1r. What is a program dynamics (in sound engineering),


2. The TRANSMISSION PROCEDURE
2a. What is a monofonie (in sound engineering),
2 B. What is a stereophony (in sound engineering),
2c. What is the recording technique (in sound engineering),
2d. What is the head-related stereophony (in sound engineering)?
2e. What are the practical applications in the transmission method (in sound engineering),
2f. What is the spatial stereophony (in sound engineering),
2g. What a compatibility in stereophony (in sound engineering),
2h. What are the multi-channel techniques or surround techniques (in sound engineering)?


3. MUSIC PRODUCTION (in sound engineering),
3a. What are word productions (in sound engineering),
3b. What is a music production (in sound engineering),


4. The recording in STEREO (in sound engineering),
4a. An overview of the recording procedures (in sound engineering),
4b. An overview of the microphone techniques (in sound engineering),
4c. What is a spatial stereophony (in sound engineering),
4d. The possibilities for the application of the individual methods in stereo recording (in sound engineering),
4e. What is the intensity stereophony (in sound engineering),
4f. What is the XY microphone method (in sound engineering),
4g. What is the MS microphone method (in sound engineering),
4h. What is the equivalent directional characteristic combinations of the XY and MS microphone technology (in sound engineering),
4i. The practical use of stereo microphones (in sound engineering),
4y. What is the recording area with the microphones (in sound engineering),
4k. The restriction of equivalences (in sound engineering),
4l. The different orientation of the stereo microphone (in sound engineering),
4m. The use of several stereo microphones (in sound engineering),
4n. The use of monostable microphones (in sound engineering),
4o. The space-based support microphones (in sound engineering),


5. The method for SINGLE MICROPHONES (in sound engineering),
5a. The monitoring of the stereo signals in intensity stereophony (in sound engineering),
5b. What is a correlation meter (in sound engineering),
5c. What is a stereo sight (in sound engineering),
5d. What is the monitoring (in sound engineering),


6. The RUNTIME STEREOFONIE (in sound engineering),
6a. The practical use of the term stereophony (in sound engineering),
6b. The different types of microphones (in sound engineering),
6c. The boundary microphones (in sound engineering),
6d. The distances to the sound source of the microphones (in sound engineering),
6e. What is the microphone base (in sound engineering),
6f. The different pictures of the sound sources on the stereo basis (in sound engineering),

7. The methods of mixed STEREOFONIE (in sound engineering),
7a. What is the ORTF microphone method (in sound engineering)?
7b. What is the OSS disk (in sound engineering),
7c. What is a spherical microphone?
and their separator assemblies (in sound engineering),
7d. What are ball mics with a large base (in sound engineering),


8. The vocal recordings (in sound engineering),
8a. The correct listening volume during recording (in sound engineering),
8b. The interviews and reports (in sound engineering),
8c. The discussion rounds (in sound engineering),
8d. The possible interference with voice recordings (in sound engineering),


9. The important aesthetic FEATURES in the SOUND when recording in music (in sound engineering),
9a. The aesthetic aspects of sound in the distribution of sound sources on the stereo base (in sound engineering),
9b. The aesthetic aspects in sound on the width and depth graduation (in sound engineering),
9c. The historical development of aesthetic aspects in sound (in sound engineering),


B1. The MICROPHONE SHOWS on TV recordings (in sound),
B1a. The microphone installations in television games (in sound engineering),
B1b. The microphone installations in conversations and shows (in sound engineering),
B1c. The microphone constellations in documentation (in sound engineering),
B1d. The microphone constellations at Feature (in sound engineering),
B1e. The microphone constellations at news (in sound engineering),


B2. MULTI-PURPOSE TECHNOLOGY (in sound engineering),
B2a. The methods in the multi-track technique during recording (in sound engineering),
B2b. The various multitrack devices (in sound engineering),
B2c. The playback method with the multitrack technique (in sound engineering),